重生回前夫毛不凡因中 2.5 亿彩票逼我离婚时，我强忍恨意答应，速办离婚只拿 50 万存款与车（他以为我不知彩票事，得意让房）。我清楚末日暴雪将临，上一世他曾砍我求生，这一世我拿款囤资，待天灾降临，要让他与小三付出血的代价。

重生回前夫毛不凡因中 2.5 亿彩票逼我离婚时，我强忍恨意答应，速办离婚只拿 50 万存款与车（他以为我不知彩票事，得意让房）。我清楚末日暴雪将临，上一世他曾砍我求生，这一世我拿款囤资，待天灾降临，要让他与小三付出血的代价。

经营了二十多年的“市井酒吧”即将结业，老板雄哥（朱栢谦 饰）决定带着年轻员工烨仔（邱傲然 饰）四处奔走，把无人认领的存酒逐一归还给客人。烨仔一开始对此颇为不耐烦，但随着和不同客人重逢、倾听他们讲述每支酒背后的故事，他渐渐理解了老板雄哥的执着。 与此同时，洞悉世事的老酒保标叔（夏韶声 饰）、热衷于钻研调酒的年轻酒保鬼妹（徐㴓乔 饰）以及玩世不恭的阿当（杨乐文 饰），为这家即将关门的酒吧带来了最后的精彩时光。该故事改编自海笑小说《存酒人》，将引领大家走进一个三分醉意却温暖人心的酒吧世界。

全国第一档以戏剧演绎科普历史冷知识的历史资讯节目，本季将带来职业故事，涵盖捕快，镖师，刽子手，奶妈等各行各业，古代屌丝冯双喜，游历各朝代，经历若干种奇怪职业，最终被残酷无情的现实折磨得遍体鳞伤，却写就了一本古代职业发展史。

全国第一档以戏剧演绎科普历史冷知识的历史资讯节目，本季将带来职业故事，涵盖捕快，镖师，刽子手，奶妈等各行各业，古代屌丝冯双喜，游历各朝代，经历若干种奇怪职业，最终被残酷无情的现实折磨得遍体鳞伤，却写就了一本古代职业发展史。

睡前刷到末世四选一视频，我随手选了丧尸模式。次日天未亮，楼下传来惨叫嘶吼。拉开窗帘，灰蒙蒙的空气中飘着腥臭味，有人被动作怪异的丧尸追赶。我开窗扔东西反击，竟能吸干丧尸血液并锁住血迹。被救的男子震惊不已，我才反应过来视频是真的。此时手机弹出新帖，仍是丧尸末世的安全屋四选一。

睡前刷到末世四选一视频，我随手选了丧尸模式。次日天未亮，楼下传来惨叫嘶吼。拉开窗帘，灰蒙蒙的空气中飘着腥臭味，有人被动作怪异的丧尸追赶。我开窗扔东西反击，竟能吸干丧尸血液并锁住血迹。被救的男子震惊不已，我才反应过来视频是真的。此时手机弹出新帖，仍是丧尸末世的安全屋四选一。

The year is 1805, the city of Nuestra Señora de La Paz lives in fear of an invasion from the indigenous population, and - within its walls - a rebellion is brewing against the Spanish crown. If this were not enough, a beautiful vampire is terrorizing the population, leaving a bloodbath in her wake. A young Irish spy, on a mission for the rebels, is found near the body of a victim. She is captured, accused of the murders, publicly flogged and sentenced to die by hanging. A young nun in training, actually wishes to follow in the footsteps of her Irish friend, and aid the rebellion. But her uncle - a Franciscan priest - needs her help in combatting the "demons" he believes responsible for these mysterious murders. And lurking in the shadows, an ancient vampire is in relentless pursuit of the mysterious being who initially turned him - as he searches for the source of her power in a quest to become all powerful and conquer all. All these stories are connected and they come together in ...

Daniel Mays (Line Of Duty, Rogue One: A Star Wars Story, Public Enemies) stars in BBC Two's powerful factual drama as Peter Wildeblood, a thoughtful and private gay journalist whose lover Eddie McNally (played by newcomer to television, Richard Gadd), under pressure from the authorities, turned Queen's evidence against him in one of the most explosive court cases of the 1950s - the infamous Montagu Trial. 　　More than ten years before the decriminalisation of homosexual acts in 1967, Peter Wildeblood, and his friends Lord Montagu (Mark Edel-Hunt) and Michael Pitt-Rivers, were found guilty of homosexual offences and jailed. 　　With his career in tatters and his private life painfully exposed, Wildeblood began his sentence a broken man, but he emerged from Wormwood Scrubs a year later determined to do all he could to change the way these draconian laws against homosexuality impacted on the lives of men like him. 　　Daniel says: 「I'm incredibly proud to be part of a drama that tells such an important real-life story. Peter Wildeblood is a fascinating, complex, yet flawed character from a time when being a gay man in Britain was incredibly difficult - I can't wait to bring his tale to life for the BBC Two audience.」 　　Patrick Holland, Channel Editor, BBC Two, said: 「50 years ago, it was a crime to be a gay man in the UK. Against The Law is a stunning piece that melds drama and documentary testimony to tell the story of one man, and his wider generation, as they struggled to make society accept their sexuality as non-criminal. It is brilliant to have a film that brings the authorship of Brian Fillis, the vision of director Fergus O'Brien, and the outstanding talent of Daniel Mays and cast to this important subject」 　　The drama also features Mark Gatiss (Taboo, Sherlock) as Wildeblood's prison psychiatrist, Doctor Landers and Charlie Creed-Miles (Ripper Street, Peaky Blinders) as Superintendent Jones. 　　Woven through this powerful drama is real-life testimony from a chorus of men who lived through those dark days, when homosexuals were routinely imprisoned or forced to undergo chemical aversion therapy in an attempt to cure them of their "condition". There is also testimony from a retired police officer whose job it was to enforce these laws, and a former psychiatric nurse who administered the so-called cures. All of these accounts serve to amplify the themes of the drama and help to immerse us in the reality of a dark chapter in our recent past, a past still within the reach of living memory.